Makayla Brownlee’s ‘Natural Blonde’ Finds Faith in the Roots
Makayla Brownlee's 'Natural Blonde' turns grown-out roots into a country-pop search for the woman she still recognizes underneath.
Recent Reviews
Alivia Clark’s ‘Dancing In Circles’ Lets the Body Decide
Alivia Clark turns bad-for-you chemistry into dance-pop on ‘Dancing In Circles,’ where knowing better keeps losing to wanting him.
Siri Neel’s ‘West Street’ Takes the Girl Downtown Anyway
Siri Neel’s ‘West Street’ turns overthinking into a night out where messy hair, dancing and finally letting go feel damn…
Amelie Aldner’s ‘Young Love’ Looks Back at an Impossible Kind of Love
Amelie Aldner’s ‘Young Love’ revisits a relationship crushed by the expectation that love could make everything okay.
JORGINA’s ‘Box Me Up’ Makes a Diagnosis Feel Claustrophobic
JORGINA’s ‘Box Me Up’ wraps diagnosis in labels, glitter and bubble wrap, capturing the strange comfort of finally having an…
Jess Ball’s ‘Lost On Me’ Finds Home in the People You Miss
Jess Ball's 'Lost On Me' turns missed calls and old streets into a tender pop song about friendships that still…
Lizzy Donzis’ ‘American Dream’ Wakes Up From the Life She Invented
Lizzy Donzis' 'American Dream' tears into the future she built around a man who kept making her feel optional
Ayla XO’s ‘Lies Lies Lies’ Knows the Sexiest Revenge Is Seeing Clearly
Ayla XO's 'Lies Lies Lies' pairs hypnotic UK garage with a cold-eyed takedown of manipulation, heartbreak and finally seeing clearly.
Cierra Cinti’s ‘Party Favors’ Turns a Broke-Girl Spiral Into Pop
Cierra Cinti's 'Party Favors' makes self-destructive nightlife feel messy and painfully useful after heartbreak.
Siena Fantini’s ‘cross country’ Turns a Summer Fling Into a Frequent Flyer Problem
Siena Fantini's 'cross country' follows a casual romance across time zones with bright production and sharp self-awareness.
Livia Drew’s ‘Vampyre’ Turns Gothic Obsession Into a Very Sexy Reason to Open the Door and Invite Him In
Livia Drew's 'Vampyre' slips into a dark waltz where eye contact glams the room and eternity starts sounding dangerously hot.
Sophie Benfold’s ‘Different’ Makes Too Much Look Hot
Sophie Benfold owns every high-maintenance inch of herself on 'Different,' a sexy electronic-pop track built for being remembered.
nasmore & R1VYN’s ‘Frenemy List’ Knows Exactly Which Bitch Did It
nasmore & R1VYN’s 'Frenemy List' gives mean-girl politics a dark-pop beat and a very long memory.
Malaika’s ‘The Problem’ Gives Existential Dread a Girls’ Night Out
Malaika’s 'The Problem' turns anxiety into bright indie pop and lets a girls’ night provide a few hours of temporary…
Brynja Rán’s ‘Don’t You Leave’ Hears the Goodbye Before He Says It
Brynja Rán’s 'Don’t You Leave' lives in the moment you know he is leaving and still want him close enough…
Allegra’s ‘Sober’ Leaves Him Thirsty at Last Call
Allegra’s ‘Sober’ turns drunk confessions and house-pop swagger into a breakup victory where her ex can look all he wants.
Sorana’s ‘E.T.’ Prescribes Dancing for a Generation Addicted to Scrolling
Sorana's 'E.T.' tells doomscrolling to fuck off and sends us straight to the dance floor for a little electronic therapy.
Fox Sinclair’s ‘Work of Art’ Makes Desire Worth the Risk
Fox Sinclair's 'Work of Art' turns physical chemistry into cinematic pop while one dangerous attraction starts wrecking good judgment.
Katherine Cotter’s ‘Daydreamin’s Where I Go’ Lets the Light Back In
Katherine Cotter's 'Daydreamin's Where I Go' turns neo-soul introspection into a warm escape that slowly starts looking like a real…
TELYKAST and LORYN’s ‘Better When You’re Gone’ Knows When to Let Go
TELYKAST and LORYN's 'Better When You're Gone' turns breakup relief into dance-pop that feels hotter once the emotional weight lifts.