JEA MIRA clocks her type across the dance floor on ‘NIGHT OUT’ and decides one night with this gorgeous drifter may not be enough.
All Music Reviews
Girl Song Presents’ ‘Final Girl’ opens Domestic Violence Awareness Month with a song about five woman who stop running.
JORGINA’s ‘Box Me Up’ wraps diagnosis in labels, glitter and bubble wrap, capturing the strange comfort of finally having an answer.
Nikki Sorrentino’s ‘I Love A Man, But’ loves men while taking aim at the patriarchal systems that keep women fucking furious.
RAMI’s ‘Save Myself’ flips the princess rescue fantasy when she realizes the person coming to save her has been there all along.
Kim DiVine’s ‘Earthquake’ turns years of rebuilding into a clear relationship standard. Love the whole woman or fucking go.
Eleonora’s ‘WALK AWAY’ finds the breaking point where proving how hard you loved him matters less than getting yourself out.
Erin Greider’s ‘We Could’ve Been Friends’ mourns the friendship a lying ex managed to destroy after the romance was already dead.
Jess Ball’s ‘Lost On Me’ turns missed calls and old streets into a tender pop song about friendships that still feel like home.
Millo’s ‘Plot Twist’ reclaims the psycho label with dark pop and a hook made for girls who own being too much.
jingram’s ‘Bluetooth Speaker’ follows a woman whose hot-girl swagger starts at home and takes over the dancefloor.
Eden Mar’s ‘STUPID CRUSH’ turns hot-and-cold attention into a Y2K pop spiral with a grungy bass line and a girl worth obsessing over.
NOVUL’s ‘Grilled Cheese’ serves sexy dance-pop with hickeys and enough bodega chaos to carry the party past sunrise.
Marion Sophia Dyrvik’s ‘Daydreamer’ turns distance into dreamy indie pop with 90s warmth and a love story built from memory.
Ava Valianti’s ‘celebrity’ opens her kismet era with a softer jazz and R&B sound wrapped around full-blown idolization.
Jesse Klick’s ‘Take It’ pushes hyper-pop lust into the club with body heat and dirty commands over a chorus built to get physical.
Cedra’s ‘Breakaway’ pairs tribal and Afro house with a direct lyric about cutting toxic people loose and getting the hell out.
Ayla XO’s ‘Lies Lies Lies’ pairs hypnotic UK garage with a cold-eyed takedown of manipulation, heartbreak and finally seeing clearly.
Cierra Cinti’s ‘Party Favors’ makes self-destructive nightlife feel messy and painfully useful after heartbreak.
Avery Cochrane’s ‘Toy Gun’ pairs disco-lit synth-pop with sharp breakup lyrics about guilt trips, playing dumb and getting free.